JACKIE Andy Warhol

JACKIE Andy Warhol



1928 - 1987 JACKIE
signed on the overlap acrylic and silkscreen ink on canvas 56.2 by 46cm. 22 1/8 by 18 1/8 in.
Executed in 1963, this work has been authenticated and stamped by the Andy Warhol Art Authentication Board and assigned the
number A113.969 on the overlap.
ESTIMATE 400,000 - 600,000 GBP
PROVENANCE
Leo Castelli Gallery, New York (LC# 917)
Carlo Bilotti, New York
Private Collection, Turin
Sale: Sotheby's, London, Contemporary Art Part II, 30 June 1994, Lot 244
Erica Hartman, Boca Raton
Andrew L. Terner, Inc., New York
Stellan Holm, New York
Private Collection, Stockholm
Sale: Sotheby's, New York, Contemporary Art Part II, 20 November 1997, Lot 300A
Acquired directly from the above by the present owner

EXHIBITION
Tokyo, Prantam Ginza Department Store, Andy Warhol, 1988-89, illustration of detail
New York, Tony Shafrazi Gallery, Andy Warhol: Thirty are Better than One, 1997, p. 24,
illustrated in colour

LITERATURE
Georg Frei and Neil Printz, The Andy Warhol Catalogue Raisonné. Paintings and
Sculptures 1964-1969, New York 2004, Vol. 2A, p. 221, no. 1201, illustrated in colour

Fig. 1
Lyndon B. Johnson taking the oath of office on Air Force One following the assassination of
John F. Kennedy, Dallas, Texas, 22 November 1963. Photograph: Cecil W. Stoughton, White House
Press Office







ROT-BLAU-GELB Gerhard Richter








signed, dated 1972 and numbered 332/2 on the reverse
oil on canvas
100 by 100cm.; 39 3/8 by 39 3/8 in.
ESTIMATE 150,000 - 200,000 GBP
PROVENANCE
Galerie Jasa, Munich
Private Collection, New York
Private Collection, Switzerland

LITERATURE
Jürgen Harten, Ed., Gerhard Richter: Paintings 1962-1985, Cologne 1986, no. 332-2, p. 155, illustrated Angelika Thill, et al., Gerhard Richter, Catalogue Raisonné: 1962-1993. Vol. III, Ostfildern-Ruit 1993, p. 163, no. 332-2

CATALOGUE NOTE
'Three primary colours, as the source of endless sequences of tones: either tone by tone, systematically multiplied,
and (precisely) presented (colour charts), or this artificial jungle. The shades and forms emerge through the
constant bleeding of brushstrokes; they create an illustionistic space, without any need for me to invent forms or
signs.'
Gerhard Richter, "From a Letter to Edy de Wilde, 23 February 1975" cited in: Dietmar Elger, Gerhard Richter, A Life
in Painting, Cologne 2002, p. 211